Monograph

Beckett’s Intuitive Spectator: Me to Play (Basingstoke: Palgrave, 2018)

Articles

(2023). The weight of words: human relationality in end-of-life memoirs. The Lancet Vol. 402: 956-957. https://doi.org/10.1016/S0140-6736(23)01901-3

(2023). ‘It’ll never end, I’ll never go’: Representation of Caregiving in Samuel Beckett’s Endgame and Footfalls. Journal of Medical Humanities. Advance online publication. https://doi.org/10.1007/s10912-023-09805-1

(2022). Continuity of Care Advocate Model (CCAM): Healthcare workers’ perspectives on quality stroke care at an acute unit, rehabilitation center and community rehabilitation program in SingaporeQualitative Health Research. Online first: 1-10. doi:10.1177/10497323221139392

(2019). What Can We Learn from Stories of the Dying?: Narrative Extensions and the Absurdity of Being ‘Terminal’. Moving Worlds: Journal of Transcultural Writings 19.2: 72-83. Print. (2017). 

(2017). “The Crime of ‘Making Real’ in All That Fall”. Samuel Beckett Today / Aujourd’hui, 29(1), 211-22. https://www.jstor.org/stable/26552558

(2016). Time made flesh: Samuel Beckett’s dual depiction of Time. Novel-Writing Playwrights and Playwriting Novelists after Beckett. Ed. Daniel Jernigan. Review of Contemporary Fiction Special Edition: 195-213. Print. Online Access

(2015). Reconstituted Pathos: ‘Love’ from the Periphery in Three Early Beckettian Short Prose. Writing from the margins: The Aesthetics of Disruption in the Irish Short Story. Ed. Catriona Ryan. Cambridge Scholars Publishing. 

Others

(2022). Patient-Centered Care. In: Crawford, P., Kadetz, P. (eds) Palgrave Encyclopedia of the Health Humanities. Palgrave Macmillan, Cham. https://doi.org/10.1007/978-3-030-26825-1_66-1

Reviews

“Why Literary Studies still has ‘value’: Review of The Values of Literary Studies” Journal of Modern Literature 41.4 (Summer 2018): 187-9. Print.

“Confinement and Limits of the Human: Review of Undoing Time and Think, Pig!” Journal of Modern Literature 40.4 (Summer 2017). Print.

“Review of The River’s Song” Moving Worlds: Journal of Transcultural Writings 14.1 (2014):127. Print.